In fact, al-Nasiri is considered one of the most influential Iraqi painters; therefore, this research tries to add a contribution to the artistic studies of Iraqi fine arts Therefore, the problem is to answer the following question: How are the bases of the aesthetics of the design represented in the drawings of Rafei al-Nasiri? The latter have been done in China, Portugal, Baghdad, and Amman in the period 1960-2014
The third chapter includes the research procedures They also show the value of the designing structures in the process of elevating the aesthetic form of the drawing by reading the surface design on structural bases

يعتبر اللون هو أساس العمل الفني

These imply that the research sample must be outlined, then the research examples are chosen.

4
كيفية تعلم رسم المانجا وتطوير أسلوبك الخاص: 5 خطوات (صور توضيحية)
The fourth chapter includes the results, the conclusions, the recommendations and suggestions
مكونات اسس التصميم الفني
As result, the drawings of Jwawd Salim, Faikh Hasan, Shakir Hasan Al Said, Mahmood Sabri, Kadhum Haider and Rafei al-Nasiri have crystallized the aesthetic frames of the form within the traditional and normal formal means
فلسفة الجمال والتذوق الفني
Then the research tool and mathematic and calculating means used in the process of analyzing the sample works are reviewed
In the scene of Iraqi painting, the preoccupation systems of design are associated with creating aesthetic responses in which the Iraqi painter tries to find justification of the characteristic of designing manifestation in the drawing The overall aim of the research is to discover the aesthetics of design in the drawings of Rafei al-Nasiri
It is divided into four chapters

الموضوع والشكل في العمل الفني

At the same time, they have deepened the rational and sentimental tendencies by being under the submission of the mathematical vision.

16
اساسيات الفنان
The importance of the research is reflected in the fact that it is an attempt to shed light on the aesthetic values based on structural elements which compromise the painting and design
يعتبر اللون هو أساس العمل الفني
The aim and the limitations of the research are also pinpointed, and then the terminology used is fairly explained
الفن
The first chapter is devoted to outline the problem of the research, its importance and the theoretical and practical needs for it
This process occurs due to the awareness of the necessity of giving the objective unity of the drawing the aesthetic significance which substantiates the activity of the structural systems and their correspondence with the action of design The sample consists of 20 works

الفن

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الفن
عناصر العمل الفني
اساسيات الفنان