|15th century illustration from the translation of 's Histoire d'Outremer||There is clearly a general attempt to reduce the size of more distant elements, but unsystematically|
|Sections of the composition are at a similar scale, with relative distance shown by overlapping, , and further objects being higher than nearer ones, though the workmen at left do show finer adjustment of size||Architectural Representation and the Perspective Hinge|
An essay on the link between Western culture and linear perspective drawing, published in Janus Head.
|Rectangular buildings, and the blocks of stone are shown obliquely||The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat|
|But this is abandoned on the right where the most important figure is much larger than the mason|
Englewood Cliffs, New Jersey: Prentice-Hall.